30.EP.27c: July 23, 2002.
"The War Party, part 2:
Naked Hippies And The Meaning Of Democracy."
they kidnapped tony, where did they go
they went to get it done before he got too old
                                    --Men Without Hats, "I Like."
        And so.
        Here we go:
        The crowd is dense.  We've covered that.
        I'm being pushed against people.  We've also covered that.
        There's no room to move.  Covered that, too.
        And here come the protesters:
        Hippies, alterna-youth, and born again Christian looking conservative freaks.  Again.  Done that one.
        And they're chanting something.
        What they're chanting is:
        "By any means necessary...."
        And then there's a little vagueness.  Something gets mangled by the acoustics of the crowd.  And also by the fact that, really there aren't that many protesters.  There's what, like maybe 25?  30?  And there about, what, a billion of us-- the non-protesters, the curiosity-seekers.
        And the media.
        The media outnumbers the protesters.
        "By any means necessary...."
        And I think they're saying: "Build the movement."
        Alex thinks they're saying: "We will move it."
        Alex's interpretation makes a little more sense, sort of.  Although I'm not sure what they're going to move.  The Gap, maybe?  The horror of Capitalism?  The G8?
        But, "We will move it" seems to be more inkeeping with the 60s-ishness of the protesters.  After all, that seems like a rallying cry to something.
        But, I'm still sure they're saying: "Build the movement."  And it would probably make sense that they would want to build their movement.  Especially since there are only about 25 of them.
        But, "We will move it" still seems more likely.
        So, anyway:
        They're chanting, and pushing their way through the crowd which is now so dense it's probably like having the inhabitants of a small city in-between these two buildings downtown.
        Behind me, the mall that contains the HMV.
        In front of me, the mall that contains or contained the Smithbooks.
        Above me is a walkway.
        And it's hot.
        And I notice that the crowd has been, slowly, over the course of the protesters' approach, moving, following the protesters.  And now I'm standing under the walkway.
        The leader of the group reaches a centre point, right under the walkway.  And then the rest of the protesters follow suit.  Soon all the protesters are there.
        And there's also this guy with gold-red hair, and a long beard that's been braided in two braids.  He also looks like he's trying to grow dreads.  And like he hasn't washed himself in a month.  He's clapping his hands.
        And the media swoops in.
        The crowd moves in close.
        And flashbulbs and videocameras being held above the crowd.
        The journalists aren't even trying to align their shots.  They're just holding their equipment above their heads, hoping for the best.
        We begin to smother the protesters.
        And it's very hot.
        I notice that some of the protesters are wearing Reebok shoes and Tommy Hilfiger shirts.  Also, some of them are wearing Gap products.  I'm that close.
        "That's probably to make a point," says Alex.
        I thank Alex and keep looking, but now the group leader is motioning us back, trying to get breathing room.
        Someone shouts "Take it off."
        But we all back off and wait for something to happen.
        And once we all back off they began walking in circles, dancing and chanting:
        "This is what democracy looks like!  This is what democracy looks like!  This is what democracy looks like!  This is what democracy looks like!"
        A few people laugh.
        Someone else shouts:
        "Take it off!"
        Then another one:
        "Let's see some skin!"
        But the protesters seem oblivious to this.
        They're just walking and chanting:
        "This is what democracy looks like!  This is what democracy looks like!  This is what democracy looks like!"
        And then there are more calls to strip.
        More journalists taking pictures.
        A helicopter flies low.
        Fuzzy black microphones being held above the crowd.
        And I look up.  But I can't see the helicopter because I'm under the walkway.
        And there are an awful lot of people.
        And sweat is dripping down my back, my arms.
        And if this walkway were to crash down....
        If that helicopter were to crash....
        Crash into the walkway....
        I look behind me, try to plan an escape route, try to figure out if I can get away from this place, back off, flee from these people just dodge and elbow my way to safety....
        But I'm pinned here.  There are too many people.
        And behind me, over by the edges of the buildings, there are lines of police.
        And in front of me, circling protesters:
       "This is what democracy looks like!  This is what democracy looks like!  This is what democracy looks like!"
        And:
        "Woo!  Take it off!"
        But there's no flesh.  Just a helicopter up there.  And if I have to, if this walkway comes down, if someone sets off a bomb, I will crawl over these bodies to get to safety, I will use human shields, if it means I can get the fuck out of here, and get the fuck out of here alive I will use human shields and crawl over bodies I will use Alex as a battering ram if I have to just get away get the fuck away....
        And these people circling and chanting here, I think they might actually think the crowd is out to support them.  They used the flesh to get them here, they used the public's sense of prurience to get them out there, but they still actually think that the people here actually support them, and that the people here actually care.  And between flashes of claustrophobia and crowdpanic it his me how pathetic that is.
        And someone else says:
        "Stop dancing!  Strip!"
        And then the crown begins to thin.
        Journalists begin jockeying for better angles.
        "I wonder if this is just a diversion," Alex says.  And, just as he says it, another line of protesters materializes.  It's a much longer line, and much noisier.
        And the journalists scramble.
        And a roar explodes from the crowd.
        Flashbulbs, videocameras, microphones swivel.
        And my arms and legs are slick with sweat.
        And more commands to strip.
        "I was right," says Alex, "it was a diversion."
        But the line isn't as long as it initially appeared.
        A trick of the crowd.
        One of the protesters is wearing a cardboard cutout of a picture of George W. Bush.  Bush's face has been altered to look like Mad Magazine's Alfred E. Neuman.  And there's a word balloon pasted onto the Alfred E. Bush that reads:
STUPID WHITE MAN
        It's not as good as the heads, but it's okay.
        And all the protesters, they're all singing "We shall not be moved."  Or something like that because the crowd is too loud and there are too few protesters, and so their voices just do not carry.  And my ears are ringing.
        And at the head of the line the protesters are carrying a big banner that says:
SAVE REDWOODS
STOP SWEATSHOPS
BOYCOTT GAP
        And they're singing and chanting and walking round and round and people are getting more and more bored.
        And all the journalists, trying in vain to get the perfect shot.
        And then I realize that they're calling themselves GAP-tivists and that's just so cloying and funny.
        And then one of the leaders stops and looks at us, and people are expecting nudity, and they're are more cries of "Take it off!!!"
        But the leader begins to speak.  Something about thanks for coming out for this, and it's really great to be supported, and then he makes a speech but I can't hear it because of the constant noise of the crowd.
        And then another round of "This is what Democracy looks like."
        And even the journalists are getting bored, now.  And I'm not even feeling claustrophobic any more.
        And:
        "This is what Democracy looks like!  This is what Democracy looks like!  This is what Democracy looks like!"
        And, yeah.  This is what Democracy looks like-- at the beginning of the 21st Century:  A small vocal minority being mocked by an indifferent crowd.  A minority that doesn't even realize it's being mocked.  A minority that doesn't even realize that the people they believe have come out in support of them don't support them, and in fact are only there to see some freaks.
        This crowd is, at best indifferent, maybe vaguely amused.  At worse it is scornful and derisive.
        A girl behind me says:
        "What a bunch of losers."
        Someone else says:
        "Shave your armpits!"
        And then someone else starts speaking.  And, also, I can't hear her.  Her voice is just too low, my ears are too wrecked.
        And the heat is making my head spin.
        "Want to get out of here?" Alex says.
        "In a minute," I say.  "I still want to see if anything's going to happen."
        And there's more singing and more chanting and more speeches and this goes of for at least half an hour, and lunch our is starting to end.  And the crowd is starting to get bored.  And it's thinning, even more.
        And no one's taking off their clothes.
        "Wanna go somewhere else?" Alex says.
        "Yeah."  I look around.  Now if the walkway collapsed I'd have plenty of room to maneuver.
        So we leave.  And we walk around downtown Calgary.  And the motion of walking begins to cool me, to dry my body.
        And then we come back, about an hour later.  People are still making speeches, and the speeches still can't be heard, and the crowd has thinned even more.
        "I guess it's probably only fair that they say what they're going to say before they take their clothes off," Alex says.  "I mean, they are there to make a political point first, and get naked second, after all."
        "True enough.  But they still need to learn how to project."
        There's a girl wearing a blue and orange tie-die t-shirt, and denim shorts.  Handing out leaflets.  I walk up to her to get some literature.
        She ignores me.
        "Excuse me," I say.  "Can I have a pamphlet?"
        And even though I'm right in front of her, right in her line of vision, she pretends she's just noticed me, and she begrudgingly hands me a tract about the rainforest.
        I walk up to some cops.
        "Arrested any naked hippies yet?" I say.
        "Nope," one of them says.  And they both laugh.
        In the distance, I hear someone shouting:
        "Take it off"
        And then I notice that even the helicopter has left.  Or retreated to a safe distance.
        And there are only a few reporters.
        "So," Alex says.
        "So," I say.
        I find a guy who's selling Socialist newspapers.  I buy one.  He thanks me.
        Over in the center of the (now) very thin crowd, I notice that a bunch of protesters are smoking cigarettes, supporting the tobacco industry while protesting The Gap.
        "Want to get some food?" Alex says.  "Or maybe go check out that Chinese mall I told you about?"
        "Sure.  And I want to sit down for a while, too.  My broken toe is killing me."
        Later that night, we learn that eventually some of the GAP-tivists did take off their clothes after all.  There were a few topless girls with slogans pasted on their nipples, some shirtless guys.  But nobody totally naked.
        And they had waited until most of the "supporters" had gone home, bored.
        From My Notebook:
        The 1960s was the decade of Activism.
        The 1970s, the decade of Hedonism.
        And the '80s: Capitalism.
        The '90s:  Ennui.
        2000s:  Simulation.
 

Next:  Here, now (sort of)....
 
 

© 2002 Brian Cotts.
(If you'd like to be notified of further *30* postings, e-mail Brian at cbrian@lycos.com.).


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